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With Grieg's characteristic lyrical style and Romantic chromaticism, this unaccompanied work is written with mostly homophonic textures. Grieg's setting of this sacred Latin text occasionally divides into
Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.
This classic folk tune in a stylistic concert setting mimics the instruments associated with this style of music.